- Indice
- Quaderno monografico – Plurilinguismo: prospettive storiche, critiche, interdisciplinari / Plurilingualism: historical, critical, interdisciplinary perspectives – Introduzione / Introduction
- Mehrsprachiges Europa / Europa plurilingue / L’Europe plurilingue. Una discussione con Jürgen Trabant, Tullio De Mauro e Barbara Cassin, a cura di Sara Fortuna e Rossella Saetta Cottone
- Die globale lingua franca und die Vielfalt der nationalen Sprachen. Streitgespräch zwischen Jürgen Trabant und Philippe Van Parijs, moderiert von Lothar Müller
- Babelare: un’interpretazione delle invenzioni lessicali di Amelia Rosselli
- Pour une approche génétique du plurilinguisme littéraire: le cas de Saint-John Perse
- Rire et pluralité des langues dans la Tour de Babel de Dimìtrios Vyzàntios
- Sicilia “odi et amo”. Un’autobiografia linguistica
- Ironia, antagonismo sociale, mostri poetici: tre aspetti del plurisemiotismo di Vico
- Fiktionen als heuristische Paradigmen
- I Sillabari di Goffredo Parise: l’origine percettiva del linguaggio
- The Wheel
- Educazione interculturale e plurilinguismo. Alunni sordi e alunni migranti
- Riflessioni metodiche e il modello Hannah Arendt
- Doppelte Nicht-Identität. Zur Gegenwartsrelevanz des Paulus
- C’è speranza per l’ideologia del gender
- GIUSEPPE BURGIO, Tra noi e i rom. Identità, conflitti, intercultura, Franco Angeli Roma 2015
- BARBARA CASSIN (a cura di), Après Babel, traduire, MuCEM, Marseille, 13/12/2016-20/03/2017
- BARBARA CASSIN, Eloge de la traduction. Compliquer l’universel, Fayard, Paris 2016
- MARINA DE PALO, Saussure e gli strutturalismi. Il soggetto parlante nel pensiero linguistico del Novecento, Carocci, Roma 2016
- ASTRID DEUBER-MANKOWSKY, Queeres Post-cinema, August Verlag, Berlin 2017
- PATRIZIA MANIA, RAFFAELLA PETRILLI, ELISABETTA CRISTALLINI, Arte sui muri della città. Street Art e Urban Art: questioni aperte, Round Robin, Roma 2017
- HELDER DE SCHUTTER, DAVID ROBICHAUD (eds.), Linguistic Justice: Van Parijs and his Critics, Routledge, Abingdon-on-Thames, Oxford and New York 2016
Abstract: The article explores the original style of Sillabari, Goffredo Parise’s short stories. The paper aims at showing the intersections between Parise’s work and philosophy of perception drawing on Merleau-Ponty’s phenomenology and his conception of an aptic, visual and “sentimental” access to reality. I argue that both paths (narrative and philosophical) attempt to revise some cognitive categories of the Cartesian tradition, rediscovering embodied symbolization as a primary way of knowing reality. In the Sillabari, the Italian tradition started by Vico converges with phenomenology. In Parise’s writing, the classical dichotomy between subject and object, inner and outer, body and soul is overcome by focusing on synaesthetic perception and pre-rational experience.
