- Indice
- Quaderno monografico – Le frontiere dell´agire tra arte, filosofia e politica / Monographic issue – Fronteiras do agir entre arte, filosofia e política
- Sull’agire e le sue frontiere: riflessioni introduttive sul tema
- Sublime et cosmologie: l’étrange alliance de l’incompréhensible et du compréhensible
- O Matriarcado Minoico (Keftiu) e a arcaica ausência de fronteiras entre arte, filosofia, política e religião
- Nicht-Handeln (wu wei) als politisches Prinzip. Die Kunst des Regierens bei Lao Zi und Konf uzius
- Desassossegos atuais sobre o humanismo: uma contribuição de Martin Heidegger
- “Un pensiero della soglia”. Figure dell’alterità in Simmel, Schütz e Waldenfels e politiche dell’ospitalità
- Begrenzte ästhetische Freiheit als Ermöglicherin künstlerischen Handelns1
- Quando la politica danza. Riflessioni politiche sulla coreografia, la danza e la protesta
- The Precarious Dialectic of Border Regimes: On the Relationship between the Construction of Borders and the Dismantling of Democracy in the Trump Era
- Vom Außen
- Entgrenzte Grenze: die Anomalie des Kinos nach Badiou
- A fronteira entre o olhar e o agir
- Le frontiere tra le arti performative e la filosofia
- MULTI MEDEA EXTRAGÖDIE frei nach Euripides – Theaterproben, ein Bericht
- Laura Scuriatti, Mina Loy’s Critical Modernism, University Press of Florida, 2019
- Judith Siegmund, Zweck und Zweckfreiheit. Zum Funktionswandel der Künste im 21. Jahrhundert
- Evoluzionismo e storicismo nelle scienze sociali: l’intenzionalità dell’azione umana contro il postulato di razionalità
- Per un’ontologia della soglia: note su natura e cultura in Philippe Descola
- Sucedáneos de la interacción humana en la narrativa de Javier Tomeo. Cambios en la (in)comunicación y en las formas de socialización entre El cazador de leones y La mirada de la muñeca hinchable
- L’estetica personalista di Luigi Stefanini e i suoi possibili sviluppi in ambito etico
- Grenze und Schranke: l’origine del soggetto kantiano
- Il conatus tra sforzo di esistere e desiderio di essere: Ricoeur lettore dell’Etica di Spinoza
- Identità digitale (?) – L’eclissi del soggetto e l’ipotesi della post-cultura
- Persona e storia. Una visuale filosofico-politica
Abstract: The construction of identity is a singular phenomenon, in which the essential problematic character of the human person emerges promptly. The human subject, in fact, manifests himself in every hermeneutic and planning effort as the one who constantly crosses and goes beyond any given definition of himself. The original dimension of being someone, as long as it remains current, presupposes an intrinsic dynamism that allows the individual to give an answer, always and only penultimate, to the original question: “who am I?” In this article we will try to clarify how the need to think about the experience of subjectivity is being re-proposed for contemporary philosophical anthropology today, especially at the root of the socio-anthropological changes related to technological implementation. We will therefore analyze the essential features of the hermeneutic paradigm of “Post-Culture” proposed by George Steiner, acknowledging in this interpretative theory of our time, not only a critical reading of the present, but rather a valid philosophical thesis for framing culture as a shared original question. For Steiner, to date, identity, on an ethic and hermeneutic level, can be traced back to the sphere of the shared original question, only if it is declined in technical-economic sense, to be introjected in this way – and only in this way – in each individual identity process. “Post-Culture”, then, indicates a mutation, or, an outcome of Western Culture, in which the subject and the product are intersected and merged, on a practical and theoretical level. We will then consider the problem of identity, starting from a phenomenological and theoretical reading of the digital transformation. This hermeneutic effort will allow us to specify the terms of the problem, therefore, to develop an anthropological-philosophical synthesis that represents the first prerequisite for a serious and in-depth political-cultural evaluation.
