- Indice
- Quaderno monografico – Le frontiere dell´agire tra arte, filosofia e politica / Monographic issue – Fronteiras do agir entre arte, filosofia e política
- Sull’agire e le sue frontiere: riflessioni introduttive sul tema
- Sublime et cosmologie: l’étrange alliance de l’incompréhensible et du compréhensible
- O Matriarcado Minoico (Keftiu) e a arcaica ausência de fronteiras entre arte, filosofia, política e religião
- Nicht-Handeln (wu wei) als politisches Prinzip. Die Kunst des Regierens bei Lao Zi und Konf uzius
- Desassossegos atuais sobre o humanismo: uma contribuição de Martin Heidegger
- “Un pensiero della soglia”. Figure dell’alterità in Simmel, Schütz e Waldenfels e politiche dell’ospitalità
- Begrenzte ästhetische Freiheit als Ermöglicherin künstlerischen Handelns1
- Quando la politica danza. Riflessioni politiche sulla coreografia, la danza e la protesta
- The Precarious Dialectic of Border Regimes: On the Relationship between the Construction of Borders and the Dismantling of Democracy in the Trump Era
- Vom Außen
- Entgrenzte Grenze: die Anomalie des Kinos nach Badiou
- A fronteira entre o olhar e o agir
- Le frontiere tra le arti performative e la filosofia
- MULTI MEDEA EXTRAGÖDIE frei nach Euripides – Theaterproben, ein Bericht
- Laura Scuriatti, Mina Loy’s Critical Modernism, University Press of Florida, 2019
- Judith Siegmund, Zweck und Zweckfreiheit. Zum Funktionswandel der Künste im 21. Jahrhundert
- Evoluzionismo e storicismo nelle scienze sociali: l’intenzionalità dell’azione umana contro il postulato di razionalità
- Per un’ontologia della soglia: note su natura e cultura in Philippe Descola
- Sucedáneos de la interacción humana en la narrativa de Javier Tomeo. Cambios en la (in)comunicación y en las formas de socialización entre El cazador de leones y La mirada de la muñeca hinchable
- L’estetica personalista di Luigi Stefanini e i suoi possibili sviluppi in ambito etico
- Grenze und Schranke: l’origine del soggetto kantiano
- Il conatus tra sforzo di esistere e desiderio di essere: Ricoeur lettore dell’Etica di Spinoza
- Identità digitale (?) – L’eclissi del soggetto e l’ipotesi della post-cultura
- Persona e storia. Una visuale filosofico-politica
Abstract – Sublime and cosmology: the strange alliance of the incomprehensible and the comprehensible.
The philosophers represented on the Pompeii mosaic meditate on the globe that lies at their feet and models the universe. The development of cosmology has since then been dazzling. Hence the astonishment, which Einstein is credited with formulating : «What is incomprehensible about the universe is that it is comprehensible.» When thought no longer concerns the simple thinkable, but the unthinkable where it is resorbed, the questioning no longer concerns the contents of science, but the limits of its possibilities.
Baldine Saint Girons reminds us that the tradition of the sublime testifies to a great cosmological sensitivity as early as the Peri hupsous of Longin. She also shows how painting reveals an anxiety about the messages of the stars, the existence of a demon at the centre of the earth, and the strangeness of a science that transmits to us an idea of the world that is out of proportion to our intuitive data. She comments in detail on Freud’s text, modestly entitled «A Difficulty of Psychoanalysis» (1917), when he relates three types of trauma: cosmological, evolutionary and psychoanalytical. Hence a conclusion touching on the sublime defined as a fulguration of the incomprehensible in the extreme of the comprehensible, according to the law of coincidence of the opposites, as defined by Nicolas de Cues.
